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supported by 7 fans who also own “Slave”
Another stellar release from this long-lived ensemble. Though the King Crimson influence is obvious & that comparison unavoidable, these guys have made many great recordings that can't be categorized as 'mere copies'. The perfect balance of aggressive riffing and serene soundscapes.
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supported by 6 fans who also own “Slave”
I can't put into words how unnerving but beautiful this album is. It's a wonderful listen from start to finish.
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In the Capital
by Rolling Blackouts Coastal Fever
The Australian jangle-poppers venture further into dreampop territory on their verdant new single, with summery, shimmering results.
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Kid Trails returns with a new EP of breezy indiepop, full of watery guitars and gently-weaving vocals.
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Rising UK trio FES balance math rock's instrumental mischief with pop punk's anthemic sweetness for a distinctive, endearing sound.
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Serpent's Tears
by Richard Thompson
supported by 5 fans who also own “Slave”
There's a similarity in song writing between Richard Thompson and Hugh Cornwell which maybe isn't surprising as they went to the same school at the same time, although Thompson is older. Due to Thompson's association with John French of Captain Beefheart & The Magic Band I searched for his work on the Bandcamp app. French, Thompson and Cornwell all have albums on the app which I'm very pleased about. Only Thompson has released contemporary albums, much to his credit.
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