Why love you? You only hurt me on purpose.
I should’ve listened to my parents. Please don’t come back to me.
Did I offend you, my sweet flower?
You never waste a tortured hour.
Why love you? You only hurt me on purpose.
I should’ve listened to my parents. Please don’t come back to me.
You always left me in the lurch.
It’s worse than going back to church.
Why? Why love you? Why?
My education came so late.
But I have learned from my mistake.
Why love you? You only hurt me on purpose.
I should’ve listened to my parents. Please don’t come back to me.
Please don’t come back to me. Please don’t come back to me.
Please don’t come back to me.
Why?
Another stellar release from this long-lived ensemble. Though the King Crimson influence is obvious & that comparison unavoidable, these guys have made many great recordings that can't be categorized as 'mere copies'. The perfect balance of aggressive riffing and serene soundscapes. Stephen Roberts
John Drumbo French from Captain Beefheart and The Magic Band worked with Thompson on two albums along with Fred Frith and Henry Kaiser.
Those two French, Frith, Kaiser and Thompson albums led me to this.
Also, Richard Thompson taught Hugh Cornwell (of The Stranglers) how to play the bass guitar in a band when they were both at the same school (Emil and The Detectives?).
With a career spanning 50 years and playing with two of my heroes (French and Cornwell) Thompson has produced a fascinating EP. yellowcakeuf6
The Australian jangle-poppers venture further into dreampop territory on their verdant new single, with summery, shimmering results. Bandcamp New & Notable Mar 7, 2019
Rising UK trio FES balance math rock's instrumental mischief with pop punk's anthemic sweetness for a distinctive, endearing sound. Bandcamp New & Notable May 4, 2022